Errant Bodies project space is dedicated to experimental work in sound, performance, voice and spatial practices. Through residencies, workshops, events and exhibitions, Errant Bodies emphasizes an engagement with process and dialogue, encouraging a dynamic and diverse approach to the sound arts. As a project space, it also intends to foster social and public activities, contributing to the creative scene in Berlin. It is organized and developed through its working group comprised of Berlin-based sound artists and researchers.

30.11.15

four and one / Stefan Thut

four and one
Intervention in the installation Rhythms Of Presence by invited guest Stefan Thut
From 5.12. – 7.12. 2015, between 15:00 – 18:00 daily

Errant Bodies
Kollwitzstrasse 97
10435 Berlin

four and one (2015)
Stefan Thut’s intervening activities within Tao Vrhovec Sambolec’s installation at Errant Bodies Project Space involve recording, playback and walking inside the gallery space, mirroring inherent themes of the installation itself. Each one of four sectors of the space is recorded through the resonance of an acoustic instrument evoked by the Rhythms Of Presence. The recordings obtained are played back at four positions via plates of cardboard. The performing activity is to turn the devices on and off resp. to set them into a state of "0" resp. "1". Going from one position to the other equals the change from one state to another within a 4-digit gray-code arranged on a so-called "Karnaugh-map", a complete cycle encompassing 16 states. The cadence regarding the change within the pattern is reciprocally dependent on the uncontrollable Rhythms Of Presence: in reality Thut’s activity is controlled by the unknown passersby. The secondary sound-installation is driven by and derived from the primary setting at Errant Bodies Project Space echoing previous moments in time and producing a bodily inhabitation/intervention.

As a composer Stefan Thut is interested in processes and scores being relatively determined but still unpredictable in their sonic results. Instead of instrumenting in traditional ways phonographies as well as everyday material serve as components in his work. Notably cardboard and paper play a role in his latest series of scores begun with "two strings and boxes". Whereas in the latter the box is used as table and vehicle, in subsequent works its functionality as space and resonator for recorded sound gained the composer’s attention.


25.11.15

Local Sound Art Scenes / in collaboration with DAAD Artists-in-Berlin Program and Deutschlandradio Kultur

Local Sound Art Scenes
Cairo – Cork – Beirut – Ljubljana/Bergen
Presentation, Panel, Live-Performance

Monday, 30.11.2015, 19:00

Errant Bodies 
Kollwitzstraße 97
10435 Berlin

Magdi Mostafa, Cairo: Presentation of works
Panel with Mazen Kerbaj, Beirut, Karen Power, Cork, Magdi Mostafa, Cairo and Tao G. Vrhovec Sambolec, Ljubljana/Bergen
Moderation: Marcus Gammel
Live-Performance by Karen Power (electronics) und Mazen Kerbaj (trumpet)

The evening is dedicated to the question of how one can describe local scenes of sound art concerning its formation of members, their artistic background, artistic interactions/collaborations, sound aesthetics. How big are the local scenes and how and where do they show their work? How is the resonance of the audience?

But also we want to exchange thoughts on how sound art is reflecting the local and incorporating it in a sound memory through the use of site specific recordings or semantic references in works. Three sound artists from different countries (Karen Power/Cork, Magdi Mostafa/Cairo, Tao G. Vrhovec Sambolec/Ljubljana/Bergen) and the experimental musician Mazen Kerbaj from Beirut will talk about the scenes of their home cities.

This evening is part of a continuous discussion on global sound art by the DAAD Artists-in-Berlin Program and Deutschlandradio Kultur
In cooperation with Errant Bodies

















14.11.15

Rhythms Of Presence / Tao G. Vrhovec Sambolec


Rhythms Of Presence (2015)
Installation by Tao G. Vrhovec Sambolec
Artist in residence at Errant Bodies Project Space, Berlin

Opening: Friday, November 20th, 2015 at 19:00 – 21:00
Exhibition from 20.11.2015 – 19.12.2015
Opening times: Thursday to Sunday, 11:00 – 17:00 and by appointment (contact: eb(at)errantbodies.org)
Intervention by Stefan Thut: 5.12 – 7.12. 2015, times TBA

Errant Bodies
Kollwitzstrasse 97
10435 Berlin
www.errantbodies.org

The installation Rhythms of Presence is comprised of two large floor surfaces. One is discretely installed at an undisclosed location and the other in the exhibition space. They are identical in size and shape. The floor surface at the undisclosed location is sensing human steps, transmitting their temporal and spatial information to the exhibition space, where a grid of mechanical knockers is invisibly tapping the rhythms of the remotely detected steps and following their paths from below the floor surface. Focusing solely on rhythms and paths of everyday walking, the installation Rhythms Of Presence aims to capture the invisible aspects of walking and investigate how they contribute to constituting presence, subjectivity, temporality and spatiality.

Displacing and superimposing the walking rhythms and paths of one place to those of another, the installation creates a hybrid and asymmetrical space where two simultaneous present times and presences interfere. A floor that becomes unknowingly performative and a floor that echoes steps from an unknown origin together form an open unsitely space that is both here, somewhere else and at the same instance nowhere and in-between. Stepping in this space one inhabits a concrete, yet un-mappable and disoriented territory.

During the exhibition at Errant Bodies Project Space artists, dancers, thinkers, writers and musicians will be invited to inhabit, question, activate, investigate, interpret and together imagine this space in becoming.

The installation Rhythms Of Presence is part of the three-year artistic research project (2013-2016) carried out under the Norwegian Artistic Research Programme at Bergen Academy of Art and Design, Norway.

Tao G. Vrhovec Sambolec (SI/NL/NO) is an artist and musician working with invisible ephemeral phenomena and the notion of space. His artistic practice is a poetic exploration of relationships between transitory and temporal phenomena like sound, weather and human activities and built environment and social spaces they inhabit. In his installations, he makes architecture sensitive to its immediate ephemeral surroundings and creating situations where the outside and inside, the unpredictable and constructed, the permanent and temporal converse. His works encompass interdisciplinary and mixed media installations, sound interventions and electro acoustic music. Tao is currently research fellow at the Bergen Academy of Arts and Design (KHiB), within the Norwegian Artistic Research Fellowship Programme. He has shown and performed in various museums, project spaces, galleries and festivals internationally.

Software and hardware development: Mr. Stock Interfaces
Carpenters: Seamus Cater, Bill Earwaker

Co-produced by:
Norwegian Artistic Research Programme and Bergen Academy of Art and Design
Zavod SPLOH, Ljubljana - Slovenia
Zavod Projekt Atol, Ljubljana – Slovenia
Španski Borci

Supported by: Ministry of Culture of the Republic of Slovenia

Sponsored by:
Future-Shape GmbH
Tremba GmbH
Showbots Engineering GmbH – BERLIN

Thanks to James Beckett





1.11.15

What is the sound of protest?


What is the sound of protest?
A performative evening and temporary exhibition
Curated by Joseph Young

6-8th November 2015

Vernissage 6-9pm on Friday 6th November
performances and talks start at 7.30 sharp

Continues 11-5pm, 7th & 8th November

Errant Bodies
Kollwitzstrasse 97
Berlin 10435
www.errantbodies.org

Does the sound of a coffee machine in a an artisan coffee shop signal a resistance towards the globalisation of the high street and is the sound of birdsong a protest against urban development?

Brighton (UK) and Berlin based artist Joseph Young continues his investigation into artistic utopias, revolutionary moments and social struggle to uncover some of the unlikely forms that the sound of protest might take.

Via invitation and an open call Joseph has selected a number of artists to collaborate with him in this short investigation; starting with a field recording and workshop weekend and ending in a temporary exhibition and performance event.

Featuring contributions by:
Raghed Barakat/ Helgard Müller/ Nicodemus/ Thomas Stern, Vincent Chomaz, Israel Martinez, Sybella Perry, Harry Ross, Stan Back & The Noise Glam, Lorenzo Tripodi, Symeon Yovev, Fred Dewey, Janine Eisenächer, Troy Mighty, Lars Müller, Michelle-Marie Letelier & Maria Verónica Troncoso, Erik Smith, Linda Weiss.

More details at www.artofnoises.com
Facebook: https://www.facebook.com/events/1494094090919780/