Errant Bodies project space is dedicated to experimental work in sound, performance, voice and spatial practices. Through residencies, workshops, events and exhibitions, Errant Bodies emphasizes an engagement with process and dialogue, encouraging a dynamic and diverse approach to the sound arts. As a project space, it also intends to foster social and public activities, contributing to the creative scene in Berlin. It is organized and developed through its working group comprised of Berlin-based sound artists and researchers.
21.11.14
The School of Public Life - launch
We are pleased to celebrate the release of:
The School of Public Life
by Fred Dewey
Please join us for drinks, and a reading by the author
Wednesday, November 26th, 2014 - 8pm
Errant Bodies
Kollwitzstrasse 97
10435 Berlin
www.errantbodies.org
Drawing on two decades of interventions in politics and culture, Fred Dewey's The School of Public Life records the author's efforts to revive and rethink public space from Los Angeles to Berlin and beyond. Drawing on manifestoes, lectures, letters, and experimental texts, the book chronicles one person's efforts to secure a space for public reality, culture, appearance, and power. From helping to found neighborhood councils in Los Angeles to directing Beyond Baroque, a public space for poetry, art, sound work, publishing, and debate, featuring discussions of the 1992 L.A. riots, Black Mountain College, and the Montgomery Bus Boycott, Dewey recounts a lived experience of self-government face to face with the rise of manufactured reality and an unknown political history. How can we answer the falsehoods of economics, parties, and a new slavery of constructed powerlessness? Working from the examples of Hannah Arendt, poet Charles Olson, writer John Berger, Rosa Parks, Martin Luther King, Jr., and others, Dewey's account of life experiences and thinking, public gesture proposes a new kind of school, one powerful enough to address all our conditions - a school for the people and their life.
The School of Public Life is the fourth issue of the new book series Doormats published by Errant Bodies Press. The series aims at contributing to the now, addressing issues that are present and that demand presence.
Fred Dewey is a writer, teacher, editor/publisher, curator, and co-founder of the Neighborhood Councils Movement in Los Angeles. He directed Beyond Baroque Literary / Arts Center in Los Angeles from 1995-2010 and has edited, published, and designed twenty books and anthologies, featuring work by Ammiel Alcalay, Simone Forti, Jean-Luc Godard, Daniel Berrigan, Abdellatif Laabi, Jack Hirschman, Christoph Draeger, Ed Ruscha, Diane di Prima, and more. His writing has appeared in the anthologies Architecture of Fear (Princeton Architecture), Most Art Sucks (Smart Art), Cork Caucus, and in magazines and newspapers such as the Neighborhood Councils Movement Newsletter, the Journal of Aesthetics & Protest, New Statesman, LA Weekly, LA Times, Metropolis, Venice Beachhead, LA Forum for Architecture & Urban Design, and Coagula. Dewey has performed with the dancers and artists Simone Forti and Jeremiah Day at London’s ICA, New York’s Ludlow 38, and Berlin’s Errant Bodies. He teaches in Berlin and in the graduate fine art program at ArtCenter College of Design in Pasadena, California.
9.11.14
Chris Heenan – Michael Vorfeld / FUNKLOCH

Chris Heenan – Michael Vorfeld
FUNKLOCH
A performance – installation for Light Bulbs, Analog Synthesizer and Radios
Saturday, November 15, 2014
17 – 20 h (ongoing): performance – installation
21 h: concert together with Ute Wassermann (voice)
Sunday, November 16, 2014
17 – 20 h (ongoing): performance - installation
21 h: concert together with Franziska Baumann (voice)
at
Errant Bodies
Kollwitzstr. 97
10435 Berlin
www.errantbodies.org
performance – installation: free, concert: 5 – 8 Euro
kindly supported by inm
FUNKLOCH is a multi-hour performative sound and light installation with live radio broadcast. The "Instrumentarium" is arranged around the space consisting of assorted light bulbs with different switching elements and an analog synthesizer. The result is a "feed-back" situation, in which the light and the sound mutually influence and shape one another. The sounds are also transmitted through the space and picked up by radios distributed throughout the space. Two vocalists, Ute Wassermann and Franziska Baumann, are invited to perform in and with the concert-installation.
FUNKLOCH ist eine mehrstündige, konzertante Klang- und Lichtinstallation mit live Radioübertragung. Als räumlich angeordnetes Instrumentarium dient ein Set-Up unterschiedlicher Glühlampen mit verschiedenen Schaltelementen sowie ein Analog-Synthesizer. Es entsteht eine „Feed-Back-Situation“, bei der das Licht den Klang und umgekehrt der Klang das Licht beeinflusst und gestaltet. Übertragen wird das gesamte musikalische Geschehen durch ebenfalls im Raum verteilte Radiogeräte. Kontrastierend sind zwei Vokalistinnen (Ute Wassermann und Franziska Baumann) eingeladen innerhalb und mit der Konzert-Installation zu spielen.
4.11.14
Stadt als Klangtext - Urban Sound Projects


Stadt als Klangtext - Urban Sound Projects
Exhibition series: #4 of 5
Serge Baghdassarians/Boris Baltschun
Kirsten Reese
Exhibition: November 6th - 9th, 16:00 - 20:00h
Talk / Discussion: Thursday, November 6th, 19:00h
with Prof. Sabine Sanio and the artists
Errant Bodies
Kollwitzstrasse 97
10435 Berlin
www.errantbodies.org/stadtklangtext.html
The exhibition and discussion series Stadt als Klangtext introduces ten artistic positions by sound artists working with urban space. The series aims to consider how auditory experience and sonic work may operate to create a sense of civic engagement, spaces of mutuality, and forms of interruption onto the urban scene. Each exhibition consists of two artists presenting one work, and integrates a discussion evening led by an invited academic and open to the public.
-
Serge Baghdassarians/Boris Baltschun, "tuning" /
installation for video, balloon, animal voice
Kirsten Reese, "no voice audible but that of the sea on the far side" /
four channel sound installation with fish sounds and synthesized sound
6.10.14
Stadt als Klangtext - Urban Sound Projects


Stadt als Klangtext - Urban Sound Projects
Exhibition series: #3 of 5
Åsa Stjerna, "Currents"
Hanna Hartman, "Early Warning"
Exhibition: October 9th - 12th, 16:00 - 20:00h
Talk / Discussion: Thursday, October 9th, 19:00h
with Fabian Czolbe and the artists
Errant Bodies
Kollwitzstrasse 97
10435 Berlin
www.errantbodies.org/stadtklangtext.html
The exhibition and discussion series Stadt als Klangtext introduces ten artistic positions by sound artists working with urban space. The series aims to consider how auditory experience and sonic work may operate to create a sense of civic engagement, spaces of mutuality, and forms of interruption onto the urban scene. Each exhibition consists of two artists presenting one work, and integrates a discussion evening led by an invited academic and open to the public.
-
Åsa Stjerna, “Currents“ /
Documentation of a site-specific sound installation and sonification presented in the spacious glass foyer at the new opera building in Oslo 2011. The sound work was based on measurement data from a scientific research project in which the North-Atlantic Current in the North Sea was measured to gain knowledge on the effects of global warming. During the period of the exhibition, these measurement data were transferred in real-time and distributed over 18 loudspeakers in the glass foyer, transformed into an artistic-sonic experience in public space.
Hanna Hartman, “Early Warning" /
a sound installation
11.9.14
W. Mark Sutherland, Alessandra Eramo and Tomomi Adachi
ERRANT VOICES
Sound poetry night with W. Mark Sutherland, Alessandra Eramo and Tomomi Adachi
September 17th (wed) 2014
20.00 start
Errant Bodies
Kollwitzstrasse 97
10435 Berlin
http://errantbodiesspace.blogspot.de
Solos and collaborative sound poetry performance by Canadian sound poet W. Mark Sutherland with two Berlin-based sound poets/voice artists, Alessandra Eramo and Tomomi Adachi
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W. Mark Sutherland is a Canadian intermedia artist. His aesthetic practice is a hybrid that pivots on the creation of work blurring the borders between poetry, visual art, music and performance art. He is a member of the Board of Directors for Musicworks magazine (www.musicworks.ca) and editorial correspondent for Rampike magazine (www.uwindsor.ca/rampike). A very brief selection of Sutherland's recent public performances includes THEWORDMUSIC Festival, Reykjavik, Iceland (2006), Voice ++ Festival, Victoria, BC, Canada (2007), Yuxtaposiciones Festival, Madrid, Spain (2008), 3durch3, Wilhelmspalais, Stuttgart, Germany (2010) and 100 Jahre Konkrete Kunst, Art Rehau, Rehau, Germany (2010), Language To Cover A Wall, SUNY, Buffalo, USA (2011) and Symposium on Voice, Agency and Improvisation, MacDonald Stewart Art Centre, Guelph, Canada (2014).
www.wmarksutherland.com
Alessandra Eramo is a vocalist, sound artist, composer and performer. Her works take on hybrid forms between electroacoustic music and performance art through the conjunction of voice, sound, language, noise, field recording, drawing, gesture and text . Gaining international recognition, she exhibited and performed in festivals, galleries, theatres, artist-run centers and radios such as Deutschlandradio Kultur, Roulette New York, Galerie Haus am Lützowplatz Berlin, Liverpool Biennial 2012, Sonic Circuits Festival Washington DC. In 2011 she exhibited at the "Italian Pavilion in the World" of the 54th Venice Biennale, invited by the Italian Culture Institute of Stuttgart. Grants and residencies include: Correnti Seduttive Taranto, Harvestworks New York, Hotel Pupik Austria, Senat Berlin International Cultural Exchange. Her music was released a.o. on Corvo Records and Audition Records.
www.ezramo.com
Tomomi Adachi is a performer/composer, sound poet, instrument builder and visual artist. Known for his versatile style, he has performed his own voice and electronics pieces, site-specific compositions, choir pieces for untrained musicians, improvised music and contemporary music in all over the world including Tate Modern, Maerzmusik, Centre Pompidou, Poesiefestival Berlin, Merkin Hall, Tempelhof Airfield, STEIM and Walker Art Center with a wide range of materials; even brainwave, artificial satellite and paranormal phenomenas. As the only Japanese performer of sound poetry, he performed Kurt Schwitters' "Ursonate" as a Japan premiere in 1996 and has introduced Japanese sound poetry tradition. CDs include the solo album from Tzadik, Omegapoint and naya records. He was a guest of the Artists-in-Berlin Program of the DAAD for 2012.
http://www.adachitomomi.com
Sound poetry night with W. Mark Sutherland, Alessandra Eramo and Tomomi Adachi
September 17th (wed) 2014
20.00 start
Errant Bodies
Kollwitzstrasse 97
10435 Berlin
http://errantbodiesspace.blogspot.de
Solos and collaborative sound poetry performance by Canadian sound poet W. Mark Sutherland with two Berlin-based sound poets/voice artists, Alessandra Eramo and Tomomi Adachi
--------
W. Mark Sutherland is a Canadian intermedia artist. His aesthetic practice is a hybrid that pivots on the creation of work blurring the borders between poetry, visual art, music and performance art. He is a member of the Board of Directors for Musicworks magazine (www.musicworks.ca) and editorial correspondent for Rampike magazine (www.uwindsor.ca/rampike). A very brief selection of Sutherland's recent public performances includes THEWORDMUSIC Festival, Reykjavik, Iceland (2006), Voice ++ Festival, Victoria, BC, Canada (2007), Yuxtaposiciones Festival, Madrid, Spain (2008), 3durch3, Wilhelmspalais, Stuttgart, Germany (2010) and 100 Jahre Konkrete Kunst, Art Rehau, Rehau, Germany (2010), Language To Cover A Wall, SUNY, Buffalo, USA (2011) and Symposium on Voice, Agency and Improvisation, MacDonald Stewart Art Centre, Guelph, Canada (2014).
www.wmarksutherland.com
Alessandra Eramo is a vocalist, sound artist, composer and performer. Her works take on hybrid forms between electroacoustic music and performance art through the conjunction of voice, sound, language, noise, field recording, drawing, gesture and text . Gaining international recognition, she exhibited and performed in festivals, galleries, theatres, artist-run centers and radios such as Deutschlandradio Kultur, Roulette New York, Galerie Haus am Lützowplatz Berlin, Liverpool Biennial 2012, Sonic Circuits Festival Washington DC. In 2011 she exhibited at the "Italian Pavilion in the World" of the 54th Venice Biennale, invited by the Italian Culture Institute of Stuttgart. Grants and residencies include: Correnti Seduttive Taranto, Harvestworks New York, Hotel Pupik Austria, Senat Berlin International Cultural Exchange. Her music was released a.o. on Corvo Records and Audition Records.
www.ezramo.com
Tomomi Adachi is a performer/composer, sound poet, instrument builder and visual artist. Known for his versatile style, he has performed his own voice and electronics pieces, site-specific compositions, choir pieces for untrained musicians, improvised music and contemporary music in all over the world including Tate Modern, Maerzmusik, Centre Pompidou, Poesiefestival Berlin, Merkin Hall, Tempelhof Airfield, STEIM and Walker Art Center with a wide range of materials; even brainwave, artificial satellite and paranormal phenomenas. As the only Japanese performer of sound poetry, he performed Kurt Schwitters' "Ursonate" as a Japan premiere in 1996 and has introduced Japanese sound poetry tradition. CDs include the solo album from Tzadik, Omegapoint and naya records. He was a guest of the Artists-in-Berlin Program of the DAAD for 2012.
http://www.adachitomomi.com
7.9.14
Jean-Luc Guionnet

French musician/visual artist Jean-Luc Guionnet presents a selection of audio-visual works at Errant Bodies project space from Wednesday, September 10th - Saturday, September 13h. The exhibition fits within a larger program of Guionnet in Berlin (September 8th - 14th), including concerts, lectures, performances, and film screenings done by or otherwise curated by Jean-Luc.
OPENING
Wednesday, September 10th: 18h-20h30
Gallery hours:
September 11th - September 13th: 18h-20h
Errant Bodies
Kollwitzstrasse 97
10435 Berlin
All exhibition evenings are followed by evening events in Ausland (Lychener str 60, Prenzlauer Berg, 15 minutes walking from Errant Bodies)
http://www.ausland-berlin.de/ausland-presents-jeanluc-guionnet-berlin
My musical work subdivides itself into as many ways as occasions arise for me to think and act with sound and images. Those occasions have always to do with a strong meeting with an outside element : an instrument (saxophone/organ), a theoretical idea (what is "rumour"?), and mainly a collaborating friend (André Almuro, Éric Cordier, Éric La Casa, Pascal Battus, Caroline Pouzolles, Franck Gourdien, Taku Unami, Seijiro Murayama, Lotus Eddé Khouri) ... There then follows a collection of themes which, in turn, influence the evolution of the musical work and define the direction of meetings to come : the thickness of the air, the pidgin, the musical instrument considered as affective automaton, listening and seeing dark unto themself, the algebra of and in hearing, sound as a signature of space, signature of objects, signature of what it is not... and light ? The fact that French uses the same word – le temps – for time and weather, propagation and spread of forms in time etc. Music, drawing, video are, then, a way to test reality. Conversely, it’s a test whose experience defines a new distribution of the whole body by artificially localizing it in an unknown and purely physical environment, all the while being able to think, count, make relations or understand places, and so forth. The emotion I look for in music is made out of all these strata and the sliding of one over the other during the act of perceiving.
- www.jeanlucguionnet.eu -
1.9.14
Stadt als Klangtext - Urban Sound Projects


Stadt als Klangtext - Urban Sound Projects
Exhibition series: #2 of 5
Mario Asef, "Yopito Concert"
Gilles Aubry, "Notes via a Soundscape of Bollywood"
Thursday, September 4th, 2014
Screening & discussion with Bettina Wackernagel and the artists
19:00 opening / 19:30 (sharp) screening/diffusion of the works and discussion
Errant Bodies
Kollwitzstrasse 97
10435 Berlin
www.errantbodies.org/stadtklangtext.html
The exhibition is on view from September 3th - 7th, 16:00 - 20:00h
The exhibition and discussion series Stadt als Klangtext introduces ten artistic positions by sound artists working with urban space. The series aims to consider how auditory experience and sonic work may operate to create a sense of civic engagement, spaces of mutuality, and forms of interruption onto the urban scene. Each exhibition consists of two artists presenting one work, and integrates a discussion evening led by an invited academic and open to the public.
-
Mario Asef, "Yopito Concert"
On January 20, 2005 Yomango and Mario Asef organized, composed, and directed a shopping mall alarm concert at the Potsdamer Platz Arkaden shopping mall in Berlin.
For this event 25 Yopito players were invited to sound the alarms of various stores by passing through their security detection systems with magnetic anti-theft strips. The alarms were set off according to a pre-arranged composition.
Gilles Aubry, "Notes via a Soundscape of Bollywood"
During two months in 2013 Aubry has recorded people at work in the film industry in Madha, a Mumbai neighborhood known as the “B-side” of Bollywood. His recordings attest of the materiality of the film-production process, revealing voices, musics, spaces, technology and special FX combined with sounds from the Madha neighborhood and its population. While Hindi movies often mirror the tensions resulting from the effects of globalization on traditional societies, the Bollywood dream-factory itself appears in this documentation as a precarious environment. The author’s own presence as an observer questioning a (non-Western) “developing” society is reflected through references to Pier-Paolo Pasolini's 1969 film-essay “Notes towards a film about India”.
Stadt als Klangtext has received support from the Bezirksamt Pankow Cultural Fund.
Organised by Georg Klein, Antje Vowinckel, Mario Asef, Brandon LaBelle.
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